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Book chapter
Materialising Mary in a museum: Marian objects and authenticity
There are few verified bodily relics pertaining to Mary, and certainly not any resulting from her execution. A fire was burning at the behest of the Elizabethan government even before her head left her body, and her blood-stained clothing was consigned immediately to it. However, over the longer term these...Groundwater, Anna
Scottish History, gender history , Mary Queen of Scots , history of objects and material culture, media and heritage studies , and community memory
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Lecture
Getting away from it all – Marie de Guise’s Town House, Blyth’s Close, Edinburgh
As Principal Curator for Renaissance and Early Modern History, Anna played a major part in acquiring for the museum the four decorative oak roundels which once adorned the rooms of Marie de Guise’s residence in Blyth’s Close, Edinburgh. The roundels reveal much about the power and influence of Marie in...Groundwater, Anna
oak roundels, architecture, Renaissance , material culture, mansion, Marie de Guise, Scotland, Blyth’s Close, Edinburgh, and sculpture
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Conference paper (unpublished)
More than a spring clean: painting the house to welcome a king
Embedded in the roof of the Renaissance gallery at National Museum of Scotland are the painted rafters from a ceiling at Rossend Castle, Burntisland, Fife. These were probably commissioned by Sir Robert Melville of Murdochcairnie, first Lord Melville, and are thought to have been decorated in anticipation of a visit... -
Book chapter
Tracing royal Stewart jewels in the archives
Imagine the impact of Mary Queen of Scots walking into the room. At nearly six feet tall, and dressed into the finest jewels, fashion and fabrics available, she will have impressed. That, after all, was the intended effect: Mary used the way she appeared to command respect, denote her regal...Groundwater, Anna
Renaissance , material culture , Scottish history , jewellery history , Mary Queen of Scots , art history, objects, and Stuarts
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Book chapter
Introduction: decoding jewels in Renaissance Scotland
The classic Roman god Mercury strides purposefully from left to right across a gold locket, but his specific intention is not immediately clear (fig.1). However, to the sixteenth-century maker, buyer and recipient of this locket, now known as the Fettercairn jewel, the significance of Mercury's journey will have been understood....Groundwater, Anna
Renaissance , Mary Queen of Scots, material culture , Scottish history , jewellery history , Stuarts, art history, and objects
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Book
Decoding the jewels: Renaissance jewellery in Scotland
For the first time, National Museums Scotland’s important collection of Renaissance jewellery from Scotland is considered together alongside significant jewels from the Royal Collection and elsewhere. The book was inspired by the acquisition by NMS of the extraordinary Fettercairn Jewel: the fine iconography of this exquisitely enamelled locket held coded...Groundwater, Anna
Stuarts, material culture, art history, jewellery history, Mary Queen of Scots, objects, Renaissance, and Scottish history
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Conference paper (unpublished)
Sealing Royal Stewart Power
Groundwater, Anna
Seals, sealing , Renaissance Scotland, House of Stuart, material culture, and Monarchy
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Lecture
Public History Roundtable contribution
The Renaissance and Early Modern Research Alliance (REMRA) promotes co-operation and cross-disciplinary research across the various centres and institutes of the University of the Highlands and Islands. The group is convened by Dr Kathrin Zickermann (UHI Centre for History) and consists of c.20 members of staff (including visiting professors and...Groundwater, Anna
Renaissance and Early Modern , Research Alliance, collaboration, and material culture
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Lecture
Materialising the Scottish Renaissance at National Museums Scotland
Dr Groundwater will talk about the material objects relating to the Renaissance.Groundwater, Anna
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Conference paper (unpublished)
Scotland in Renaissance Europe
Groundwater, Anna
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