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Book chapter
Mathematical examiners at Trinity House: teaching and examining mathematics for navigation in London during the long eighteenth century
The early years of the Royal Mathematical School (f. 1673), and its relationship with Trinity House, have been explored in relation to the teaching and examining of mathematics for navigation. However, there has been confusion over who carried out the examinations and little or no consideration of the role of...Higgitt, Rebekah
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Book chapter
Introduction: decoding jewels in Renaissance Scotland
The classic Roman god Mercury strides purposefully from left to right across a gold locket, but his specific intention is not immediately clear (fig.1). However, to the sixteenth-century maker, buyer and recipient of this locket, now known as the Fettercairn jewel, the significance of Mercury's journey will have been understood....Groundwater, Anna
Renaissance , Mary Queen of Scots, material culture , Scottish history , jewellery history , Stuarts, art history, and objects
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Book chapter
Foreword
At National Museums Scotland we have a small but stellar collection of Renaissance jewellery associated with Scotland in the sixteenth century. Highlights of this collection include the pearl- encrusted gold locket and fillgree bead necklace of the Penicuk Jewels, associated with Mary, Queen of Scots, and the finely enamelled Fettercairn...Alberti, S J M M
Scottish history, jewellery history, Stuarts, and Renaissance
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Book chapter
The Mystery of the Fettercairn Jewel
When the Fettercairn Jewel was discovered wrapped in paper at the back of a drawer at Fettercairn House, Aberdeenshire, in 2017. It was quickly recognised as an astounding piece of late sixteenth-century jewellery. But with little recorded provenance, and no obvious clues to its early history, it posed many questions.Wyld, Helen
Renaissance, material culture, Scottish history, art history, and jewellery history
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Book chapter
Tracing royal Stewart jewels in the archives
Imagine the impact of Mary Queen of Scots walking into the room. At nearly six feet tall, and dressed into the finest jewels, fashion and fabrics available, she will have impressed. That, after all, was the intended effect: Mary used the way she appeared to command respect, denote her regal...Groundwater, Anna
Renaissance , material culture , Scottish history , jewellery history , Mary Queen of Scots , art history, objects, and Stuarts
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Book chapter
'The worked shale and related materials' In: Strachan, David, Cook, Martin and McLaren, Dawn 'Three Forts on the Tay: Excavations at Moncreiffe, Moredun and Abernethy, Perth and Kinross 2014–17'
Two items in black organic-rich stone were recovered from Moncreiffe, while a larger assemblage of 21 items was recovered from Moredun (Chapter 4.7). Both assemblages include a range of unfinished objects, indicating elements of craft production at both sites. A more detailed discussion of the sources of the raw material,...Hunter, Fraser
craft production, archaeological excavations, Montcrieffe fort, worked shale, bangle fragment, and bead
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Book chapter
'The worked shale and related materials' In: Strachan, David, Cook, Martin and McLaren, Dawn 'Three Forts on the Tay: Excavations at Moncreiffe, Moredun and Abernethy, Perth and Kinross 2014–17'
Excavations recovered a comprehensive assemblage of 21 items from Moredun, including a range of unfinished material, indicating elements of craft production, while in addition, an unfinished bangle fragment was previously recovered from the hilltop as a stray find.Hunter, Fraser
craft production, archaeological excavations , assemblage, Moredun excavations, and bangle fragment
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Book chapter
Measurement Standards and Double Standards Reassessing Charles Piazzi Smyth’s Egyptological Reputation
In 1864–5, the Astronomer Royal for Scotland, Charles Piazzi Smyth (1819–1900),3 his wife Jessie (1812–1896),4 and a small team of Egyptian archaeological workers conducted an extensive survey of the Great Pyramid of Giza. Smyth had become interested in the structure as he read John Taylor’s The Great Pyramid: Why Was... -
Book chapter
Figures in museum display: the creation and use of a little person mannequin at National Museums Scotland
In 2019, National Museums Scotland (NMS) presented the temporary exhibition Body Beautiful: Diversity on the Cat walk. It addressed broad issues of diversity and inclusivity in the fashion industry, organized around five categories: ‘Age’, ‘Disability’, ‘LGBTQIA+’, ‘Race’ and ‘Size’. Integral to the mannequin brief was challenging perceptions of the body...McLeod, Miriam ; Ripley, Georgina
mannequin, representation, Body Beautiful: Diversity on the Catwalk, inclusivity, fashion industry, exhibition, and diversity