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Book
Hamilton Palace: The Dukes of Hamilton and their collections
This is the story of Scotland’s lost treasure trove. The destruction of Hamilton Palace, the grandest stately home in Britain, was one of the greatest losses to national heritage ever to happen in this country. In 1882, Hamilton Palace stood grandly to the south-east of Glasgow. Home to the Dukes...Evans, Godfrey
Hamilton Palace collection, architecture , galleries, Dukes of Hamilton, museums, collection dispersal, applied art, and fine art
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Magazine article
Cold War Scotland: new exhibition coming to National Museum of Scotland
A new exhibition at the National Museum of Scotland, running from 13 July 2024, will explore Scotland’s critical position on the frontline of the Cold War.National Museums Scotland
legacies of war, Cold War Scotland exhibition, strategic position, and research output
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Reflections on Rising Tide
In August 2023 Rising Tide: Art and Environment in Oceania opened at the National Museum of Scotland. Here, members of the exhibition team consider how the design and build of the exhibition reflect its core themes, the Museum’s commitment to sustainability and how working with communities in the construction of...Clark , Ali ; Dawson, Jan ; Duffy, Declan ; Miller, Jane
community engagement, Learning, Collections, environmental issues, sustainability , and Exhibitions
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Lecture
The Galloway Hoard: Why are there textiles in a Viking Age Hoard
Dr Susanna Harris will be speaking about her work on the Textiles of the Galloway Hoard. Susanna will be talking about her analysis and research of the textile components of this spectacular discovery, drawing on her AHRC funded project – in collaboration with the National Museum of Scotland – Unwrapping...Harris, Susanna
analytical discoveries, textiles, Galloway Hoard, wool, plant fibre and silk textiles, and research project
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Book
Decoding the jewels: Renaissance jewellery in Scotland
For the first time, National Museums Scotland’s important collection of Renaissance jewellery from Scotland is considered together alongside significant jewels from the Royal Collection and elsewhere. The book was inspired by the acquisition by NMS of the extraordinary Fettercairn Jewel: the fine iconography of this exquisitely enamelled locket held coded...Groundwater, Anna
Scottish history, Mary Queen of Scots, objects, jewellery history, Stuarts, Renaissance, material culture, and art history
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Book chapter
Introduction: decoding jewels in Renaissance Scotland
The classic Roman god Mercury strides purposefully from left to right across a gold locket, but his specific intention is not immediately clear (fig.1). However, to the sixteenth-century maker, buyer and recipient of this locket, now known as the Fettercairn jewel, the significance of Mercury's journey will have been understood....Groundwater, Anna
Renaissance , Mary Queen of Scots, material culture , Scottish history , jewellery history , Stuarts, art history, and objects
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Book chapter
The Mystery of the Fettercairn Jewel
When the Fettercairn Jewel was discovered wrapped in paper at the back of a drawer at Fettercairn House, Aberdeenshire, in 2017. It was quickly recognised as an astounding piece of late sixteenth-century jewellery. But with little recorded provenance, and no obvious clues to its early history, it posed many questions.Wyld, Helen
Renaissance, material culture, Scottish history, art history, and jewellery history
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Book chapter
Tracing royal Stewart jewels in the archives
Imagine the impact of Mary Queen of Scots walking into the room. At nearly six feet tall, and dressed into the finest jewels, fashion and fabrics available, she will have impressed. That, after all, was the intended effect: Mary used the way she appeared to command respect, denote her regal...Groundwater, Anna
Renaissance , material culture , Scottish history , jewellery history , Mary Queen of Scots , art history, objects, and Stuarts
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Book chapter
Measurement Standards and Double Standards Reassessing Charles Piazzi Smyth’s Egyptological Reputation
In 1864–5, the Astronomer Royal for Scotland, Charles Piazzi Smyth (1819–1900),3 his wife Jessie (1812–1896),4 and a small team of Egyptian archaeological workers conducted an extensive survey of the Great Pyramid of Giza. Smyth had become interested in the structure as he read John Taylor’s The Great Pyramid: Why Was... -
Book chapter
Figures in museum display: the creation and use of a little person mannequin at National Museums Scotland
In 2019, National Museums Scotland (NMS) presented the temporary exhibition Body Beautiful: Diversity on the Cat walk. It addressed broad issues of diversity and inclusivity in the fashion industry, organized around five categories: ‘Age’, ‘Disability’, ‘LGBTQIA+’, ‘Race’ and ‘Size’. Integral to the mannequin brief was challenging perceptions of the body...McLeod, Miriam ; Ripley, Georgina
mannequin, representation, Body Beautiful: Diversity on the Catwalk, inclusivity, fashion industry, exhibition, and diversity